Ian Hamilton Finlay

“Concrete poetry began for me with the extraordinary sense that the syntax I had been using , the movement of language within me, af a physical level was no longer there. So it had to be replaced with something else with a syntax and movement that would be true of this new feeling.”

“The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.”